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	<title>fehmican.com</title>
	<link>https://fehmican.com</link>
	<description>fehmican.com</description>
	<pubDate>Mon, 06 Oct 2025 22:46:30 +0000</pubDate>
	<generator>https://fehmican.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Slideshow</title>
				
		<link>https://fehmican.com/Slideshow</link>

		<pubDate>Wed, 10 Apr 2019 16:45:51 +0000</pubDate>

		<dc:creator>fehmican.com</dc:creator>

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		<description>
	
	
&#38;nbsp;Fehmican 


Gözüm&#38;nbsp;

Designer of immersive visuals
and spatial experiences.











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		<title>Featured_projects_interactive</title>
				
		<link>https://fehmican.com/Featured_projects_interactive</link>

		<pubDate>Sun, 14 Apr 2019 09:51:57 +0000</pubDate>

		<dc:creator>fehmican.com</dc:creator>

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		<description>
	



FEATURED PROJECTS 


︎

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		<title>Featured Projects copy</title>
				
		<link>https://fehmican.com/Featured-Projects-copy</link>

		<pubDate>Sun, 12 May 2019 19:18:44 +0000</pubDate>

		<dc:creator>fehmican.com</dc:creator>

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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/83e79b50becba2fe63915d3292ec823c1657dc3ac6aa458252df01a567885b68/Time_Lapse_Edit_Comp-3_2025-10-15_17.21.21.jpg" data-mid="239412094" border="0"  src="https://freight.cargo.site/w/1000/i/83e79b50becba2fe63915d3292ec823c1657dc3ac6aa458252df01a567885b68/Time_Lapse_Edit_Comp-3_2025-10-15_17.21.21.jpg" /&#62;



Everything

Projection Mapping, Immersive ExperienceParis, Bordeaux - France, 2021
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/35faa567fd92ec1d6097b25ff0e4f1a6fd3371002626dcfae5640cdc4155629c/Time_Lapse_Edit_Comp-3_2025-10-15_17.17.48.jpg" data-mid="239412092" border="0"  src="https://freight.cargo.site/w/1000/i/35faa567fd92ec1d6097b25ff0e4f1a6fd3371002626dcfae5640cdc4155629c/Time_Lapse_Edit_Comp-3_2025-10-15_17.17.48.jpg" /&#62;
Cannes Lions Awards Ceremony

Award Ceremonies, Ident DesignCannes - France, 2025


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a6013e0840d6351b4d38c72ce5f6ab20e38c3adc7dd2e37154ad36b2711c3d3c/Time_Lapse_Edit_Comp-3_2025-10-15_17.44.45.jpg" data-mid="239412883" border="0"  src="https://freight.cargo.site/w/1000/i/a6013e0840d6351b4d38c72ce5f6ab20e38c3adc7dd2e37154ad36b2711c3d3c/Time_Lapse_Edit_Comp-3_2025-10-15_17.44.45.jpg" /&#62;

Space and Possibilities

Projection MappingPrag - Czechia, 2019
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f43b06b969211895bf2fd24d7e7bf63e658f01f60e03afa497336499f0ac8934/CAF.jpg" data-mid="54369042" border="0"  src="https://freight.cargo.site/w/1000/i/f43b06b969211895bf2fd24d7e7bf63e658f01f60e03afa497336499f0ac8934/CAF.jpg" /&#62;



Africa Cup of Nations Opening Ceremony



Projection Mapping, Event VisualsCairo - Egypt, 2019





&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/76fea315f5e509a7ea27d9e2dad27cc34e5b3048371abf14314ac2cc1ce95a67/HD_thumbs_00001.jpg" data-mid="42074064" border="0"  src="https://freight.cargo.site/w/1000/i/76fea315f5e509a7ea27d9e2dad27cc34e5b3048371abf14314ac2cc1ce95a67/HD_thumbs_00001.jpg" /&#62;
Idemia, Behind the Curtain

Projection Mapping, Event VisualsParis - France, 2017


	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6c4d958a7e027d31f712461ea804919e0e6848591fab0b767a42fad0027eea78/Time_Lapse_Edit_Comp-3_2025-10-15_17.16.04.jpg" data-mid="239412091" border="0"  src="https://freight.cargo.site/w/1000/i/6c4d958a7e027d31f712461ea804919e0e6848591fab0b767a42fad0027eea78/Time_Lapse_Edit_Comp-3_2025-10-15_17.16.04.jpg" /&#62;
5 MovementsProjection Mapping, Immersive Experience&#38;nbsp;

New York City - USA, 2022

&#60;img width="5616" height="3159" width_o="5616" height_o="3159" data-src="https://freight.cargo.site/t/original/i/0f4314d19f9dc73b1db93b034390e6e762dc2bc1ac1b747821710a93abf4f8e0/Journey_Thumbnail.jpg" data-mid="56905101" border="0"  src="https://freight.cargo.site/w/1000/i/0f4314d19f9dc73b1db93b034390e6e762dc2bc1ac1b747821710a93abf4f8e0/Journey_Thumbnail.jpg" /&#62;

Journey



Projection Mapping, Immersive ExperienceParis - France, 2019





&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1b3e54706534f4b22ae1f15356a301e89eeb6626a084d9ef53c44942eae871c6/Time_Lapse_Edit_Comp-3_2025-10-15_17.18.59.jpg" data-mid="239412093" border="0"  src="https://freight.cargo.site/w/1000/i/1b3e54706534f4b22ae1f15356a301e89eeb6626a084d9ef53c44942eae871c6/Time_Lapse_Edit_Comp-3_2025-10-15_17.18.59.jpg" /&#62;

Theatre of Light Immersive Exhibition

Technical Content DirectionDublin - Ireland, 2022

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Cartier Women’s Pavillion

 Event Visuals, Projection Mapping, Technical Content DirectionDubai - UAE, 2022

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ad6c1399b8c50fabe11b800bd4cba2837e990956514c4eb1acd79e1075b413d0/HD_thumbs_00002.jpg" data-mid="42074366" border="0"  src="https://freight.cargo.site/w/1000/i/ad6c1399b8c50fabe11b800bd4cba2837e990956514c4eb1acd79e1075b413d0/HD_thumbs_00002.jpg" /&#62;

30th Anniversary of The Louvre Pyramids

Technical Content DirectionParis - France,2019

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		<title>WORKS</title>
				
		<link>https://fehmican.com/WORKS</link>

		<pubDate>Sat, 13 Apr 2019 14:00:50 +0000</pubDate>

		<dc:creator>fehmican.com</dc:creator>

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	WORKS ARCHIVE
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		<title>About</title>
				
		<link>https://fehmican.com/About</link>

		<pubDate>Sat, 13 Apr 2019 20:41:36 +0000</pubDate>

		<dc:creator>fehmican.com</dc:creator>

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INFORMATION</description>
		
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		<title>Under_an_Alias, Genius Loci Weimar</title>
				
		<link>https://fehmican.com/Under_an_Alias-Genius-Loci-Weimar</link>

		<pubDate>Fri, 05 Apr 2013 22:04:35 +0000</pubDate>

		<dc:creator>fehmican.com</dc:creator>

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		<description>
	Under An Alias - Genius Loci Festival



2012,&#38;nbsp; Weimar Germany




	



One of the most exciting projects I have participated in was “Under An Alias” — a 3D projection mapping installation created for the Genius Loci Weimar Festival in 2012, produced by Nerdworking under the artistic direction of NOH Lab. I designed and animated the motion segments between 9:17 and 11:00 minutes, drawing inspiration from Wassily Kandinsky (a former teacher at the Bauhaus) and supervised the entire mapping process.


The festival, held in Weimar—a city deeply woven into Europe’s cultural and intellectual history—commissioned the piece for the Fürstenhaus / Franz Liszt Conservatory façade, where it was shown nightly over several festival nights. Nohlab “Under An Alias” reinterprets Weimar’s evolution, beginning from abstract origin, through decaying wartime phases, the rise of Bauhaus (with a nod to Kandinsky), then industrialization, concluding with a gentle farewell illustrating the city’s delicate balance of peace and order. Nohlab


The work was produced by a team of 22 cross-disciplinary creators—architects, new-media artists, sound designers, mapping technicians, and the festival’s staff—and won an honorary mention at Ars Electronica 2012.






Role: Motion Design, Technical Content Direction
Design and Art Direction: NOHlab (Candaş Şişman - Deniz Kader) 
Motion Design and Animation Teams: Fehmican Gözüm Gökalp Gönen Saygın Soher Sinan Büyükbaş 
Ouchhh: Creative Director: Ferdi Alıcı 3D Artists &#38;amp; Designers: Çağlar Özen, Emre Önol, Ferdi Alıcı 2D Artists &#38;amp; Designers: Dilan Tanrıkulu Regal, Harun Kerem Köse, Yusuf Emre Kucur Compositing: Ferdi Alıcı  
Robotika: CG Supervisor: Coşku Özdemir 3D Artists &#38;amp; Designers : Davut Toy, Vikram Puttanna  
Sound Design: Alp Coksoyluer, Giray Gürkal, Görkem Şen Architectural 3D Modelling: Kerem Asfuroğlu
Architectural 3D Mapping: Fehmican Gözüm Storyboard Artist: İsmail Anıl Güzeliş Documentation: Cansu Turan Project Management: NERDWORKING (Erdem Dilbaz) Render Farm: RenderRiderSpecial Thanks to Gökçen Dilek Açay, İkinciParti Prodüksiyon, Stefan Kraus






&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/3d3101a24f8922558f073b80a3d4ba2b539753d977af99b9e540ac886b353b59/202422_143075955832407_1143153683_o_o.jpg" data-mid="39727502" border="0"  src="https://freight.cargo.site/w/1000/i/3d3101a24f8922558f073b80a3d4ba2b539753d977af99b9e540ac886b353b59/202422_143075955832407_1143153683_o_o.jpg" /&#62;






 




	

Documentation &#38;gt;&#38;gt;


	



&#38;nbsp;


 




&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/4d371845d7a65030c17478c4e6309d123046a62fdadb6394fc69f20393e6892f/219961_143075305832472_334521107_o_o.jpg" data-mid="39727503" border="0"  src="https://freight.cargo.site/w/1000/i/4d371845d7a65030c17478c4e6309d123046a62fdadb6394fc69f20393e6892f/219961_143075305832472_334521107_o_o.jpg" /&#62;
	
	





	Making of &#38;gt;&#38;gt;Genius Loci Weimar is an exciting international festival for multimedia facade projections and site-specific audiovisual performances. The festival combines the historical spirit of Weimar and the contemporary techniques of video mapping, involving static objects in order to create an additional geometrical dimension and optical illusion.Here is a behind the scenes video

 of the first edition of Genius Loci Weimar, held in 2012 

by Keuchel&#38;amp;Vogel which includes interview with our team, technical stuff, spectators and other participants of the festival!
.



	



&#38;nbsp;






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		<title>/// Fehmican Gözüm ///</title>
				
		<link>https://fehmican.com/Fehmican-Gozum</link>

		<pubDate>Mon, 14 Mar 2011 17:40:15 +0000</pubDate>

		<dc:creator>fehmican.com</dc:creator>

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		<description>
	
	Selected Works Archive &#38;gt;&#38;gt;2006 - 2025

Projection Mapping&#38;nbsp; -&#38;nbsp; Award Ceremonies&#38;nbsp; -&#38;nbsp; Ident Design&#38;nbsp; -&#38;nbsp; 
AudioVisual Performance&#38;nbsp; - &#38;nbsp;
Corporate Events&#38;nbsp; -&#38;nbsp; Technical Content Direction&#38;nbsp; -&#38;nbsp; Ad Films -&#38;nbsp;Event Visuals







</description>
		
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	<item>
		<title>5 Movements</title>
				
		<link>https://fehmican.com/5-Movements</link>

		<pubDate>Sun, 24 Nov 2024 18:33:26 +0000</pubDate>

		<dc:creator>fehmican.com</dc:creator>

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	5 Movements
2022, New York - USA
	




5 Movements is a 10 minute immersive audiovisual experience, exploring the relationship of human body movements with space and time, using five different types of motion chiseled by five performers. By capturing fleeing phases of performers’ movements in succeeding phases of motion, the emotion and essence of each motion is incorporated in three dimensions. The experience itself connects the dots between traces of movements, a phenomena that human senses are most often unable to perceive in real time.

I designed and animated one part of the experience and also led the techical aspect of this whole challenging project from the start to end from creating working templates to delivering the gigantic video files to media servers.
Inspired by several different types of dance from traditional tribal dances and ballet to street style, hip-hop and contemporary performances,&#38;nbsp; five movements of music unify various beats of the world, including African, Contemporary Classic, Electronica, Instrumental Hip-hop and Asian. All this diversity from different parts and times of the world becomes one in an immersive motion choreography, through the kinetic displacement of bodies in space with time.

Role: Technical Content Direction, Art Direction, Motion DesignType: Immersive ExhibitionDuration: 10' 00"Location: Hall des Lumières, New YorkCommissioned by: Culturespaces DigitalPremiere: Hall des Lumières &#124; New York, USA [2022, Sept 14 - 2023, Jul 16]Exhibitions: Phoenix des Lumières &#124; Dortmund, GERMANY [2024, Jan - 2025, Jan]
CREDITS
Direction: NohlabProduction: Culturespaces DigitalVisual Artists: Nohlab, Balkan Karışman, Çağatay Güçlü, Berkay Türk, Fehmican Gözüm, Taha Celal Yıldırım, Yasin SinikMusic direction, Sound Design &#38;amp; Original Music: Gökalp KanatsızTechnical Content Direction: Fehmican Gözüm
NOHLAB TeamCreative Directors: Candaş Şişman, Deniz KaderProducer: Yasemen BirhekimoğluMotion Designer: Begüm Tunçer
Performance &#38;amp; Live Video Production: CPMistanbul - Cem GörkPerformance Choreographer: Volkan ErsoyPerformers: Kaya Godfrey, Mine İzgi, Deniz Keskin, Büşra AyFILMING CREWDirector: Cem TerbiyeliDirector of Photography: Ferhat UzundağCostume: Tuğçe ÜlkümenMakeup Artist: Tuğba ÇolakoğluCompositing: Mustafa Koç
Performance Footage Editor: Teoman Küçükeren
PHotography: Andrew Kelly [Reuters], Massimo Vendola, Özde KaradağVideo Documentation: Noel Y. Calingasan, Özde Karadağ





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&#60;img width="2560" height="1440" width_o="2560" height_o="1440" data-src="https://freight.cargo.site/t/original/i/022c19d3c8608bb15905ea3874f5ed51a32d738b576973b5e48b510f4d7e4dad/105MOV_WEB-scaled-e1683217136622.jpg" data-mid="222350016" border="0"  src="https://freight.cargo.site/w/1000/i/022c19d3c8608bb15905ea3874f5ed51a32d738b576973b5e48b510f4d7e4dad/105MOV_WEB-scaled-e1683217136622.jpg" /&#62;



	Teaser Video &#38;gt;&#38;gt;
	




	Technical Summary &#38;gt;&#38;gt;
	



Located in the historic Emigrant Industrial Savings Bank building at 49 Chambers Street, the Hall des Lumières in New York City is a groundbreaking digital art space. This venue, with its Beaux-Arts architecture featuring marble columns, stained glass windows, and coved ceilings, has been reimagined as a permanent immersive art destination. The venue showcases large-scale projections that seamlessly integrate with its historic interior, featuring 10m tall visuals mapped precisely to its unique architecture.

As Technical Content Director for a 5-minute-long project presented in this space, I oversaw the creation of advanced content workflows to match the venue's complex requirements. The project utilized a custom-designed 3D simulation template, allowing the creative team to visualize and refine content in real-time. This tool was pivotal in managing the Hall des Lumières’ vast projection area, enabling us to leverage the venue’s full potential as a continuous canvas for certain scenes.

Each segment of the piece was crafted with distinct setups and spectator experiences in mind, requiring sophisticated content direction and a detailed understanding of the venue's immersive capabilities. The combination of the venue's architectural history and cutting-edge technology posed unique challenges, which we met with innovative approaches to both technical design and artistic execution.





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&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/60f52b4db9c9c2de150a0cc41b52106c7a82cb5c50910a2275ac1dacea7503df/00_Movements_TEmplate_00004.jpg" data-mid="239582003" border="0"  src="https://freight.cargo.site/w/1000/i/60f52b4db9c9c2de150a0cc41b52106c7a82cb5c50910a2275ac1dacea7503df/00_Movements_TEmplate_00004.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/0818d841cec950790c3cfea76609599e3bfa2ed0007e0f9904144ec48325c315/00_Movements_TEmplate_00005.jpg" data-mid="239582004" border="0"  src="https://freight.cargo.site/w/1000/i/0818d841cec950790c3cfea76609599e3bfa2ed0007e0f9904144ec48325c315/00_Movements_TEmplate_00005.jpg" /&#62;



	

3D Simulation Video &#38;gt;&#38;gt;
	



	









Technical breakdown timelapse&#38;nbsp; &#38;gt;&#38;gt;
	



	









Artistic Summarty &#38;gt;&#38;gt;
	



For my contribution to 5 Movements,&#38;nbsp; I created the section inspired by instrumental hip-hop. My approach was to reinterpret the vibrant visual energy of late 80s–90s hip-hop culture through a contemporary lens, highlighting rhythm and movement as the central driving forces.


I explored the idea of “slicing time” by deconstructing dance footage into grids, where individual body parts and gestures could be isolated, distorted, and recomposed along the natural flow of the choreography. This technique allowed the movements themselves to generate the visuals, creating a direct dialogue between dance and digital form.


To contrast and complement the other segments of the piece, I embraced bold, saturated colors and vivid textures, amplifying the architectural space with a dynamic, full-bodied atmosphere. The result was a playful yet immersive visual landscape that celebrated rhythm, color, and motion as a unified experience.





 



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Artistic Summarty &#38;gt;&#38;gt;
	We had 5 different dance concepts to createa 5 minute long piece and every part made by a different motion designer. My part was the insturmental Hiphop part. My approach was to createa contemporary look for 80s-90s hiphop colors and also put forward the rythmic dance moves by slicing time and different parts of body and illustrate them by the dance movements themselves. I managed to put the dance video footage in grid systems and time distord the grid pieces while they follow the splines of the movement.&#38;nbsp;


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</description>
		
	</item>
		
		
	<item>
		<title>Everything</title>
				
		<link>https://fehmican.com/Everything</link>

		<pubDate>Mon, 06 Oct 2025 22:46:30 +0000</pubDate>

		<dc:creator>fehmican.com</dc:creator>

		<guid isPermaLink="true">https://fehmican.com/Everything</guid>

		<description>

	
Everything2021, Paris, Bordeaux - France
	Nohlab’s immersive experience EVERYTHING, observes everything as it is, questions all this existence and suggests new possibilities in three parts. EVERYTHING was on exhibition at Atelier des Lumières &#38;amp; Bassin des Lumières in 2021.

I designed and animated a few minutes of the experience and also led the techical aspect of this whole challenging project from the start to end from creating working templates to delivering the gigantic video files to media servers.
Through the eyes of a candid narrator, who follows the storyline in sync with us, visuals &#38;amp; sound follow a narrative where science, philosophy and metaphysics converge. We observe elements that construct what we call our lives and ways of ascribing meanings to things. This way we can grasp how the vast system of existence enveloping us is prone to many questions.Shouldn’t we yet start pondering upon what already is? Can we really perceive all there is with our limited senses? Are we at the very end of evolution? Could the system of life we built be not only 0’s or 1’s? Are we held back and entrapped by systems we created? Do we really have free will? Maybe this is only a contingency which our subconscious and evolutionary process carried us to.Shouldn’t we extend the limits of our awareness yet? What then, could we become? Embracing how much we don’t know might lead us to accept becoming in a constant state of transformation and probabilities. With numerous layers we can neither perceive nor think about with our limited capabilities, there’s still a lot to discover and be fascinated about.Role: Art Direction, Motion Design, Technical Content DirectionCommissioned by: Culturespace Digital
Studio: NOHLAB
Premiere: Atelier des Lumières &#124; Paris, FRANCE 2021-22
Bassin des Lumières &#124; Bordeaux, FRANCE 2021-22Exhibitions: Royal Dublin Society &#124; Dublin, IRELAND 2022Noor Riyadh Light Art Festival &#124; Riyadh, KSA 2022Milan Art Week &#38;amp; Milan Design Week / Meet Digital Culture Center &#124; Milan, ITALY 2023
Signal Space 
&#124; Prague, Czechia 2025&#38;nbsp;

Direction, Design, Concept: NOHLABVisual Artists: Tiber Ergür, Alexandre Le Guillou, Fehmican Gözüm, VOIDSound Artists: Gökalp Kanatsız, Ilgın İçözüNarrator: Jeanne Barbieri (FR), Melissa Lara Clissold (EN)Script: Prof. Ebru Yetişkin, NOHLAB, u29dc, Erkan EsenoğluConceptual Research: Prof. Ebru Yetişkin, Candaş Şişman (NOHLAB)Technical Content Direction: Fehmican Gözüm
Photographers: Roberto Conte, Camille McOuat, Jonathan MascaroVideographer: Jonathan MascaroVideo Editor: Teoman Küçükeren




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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/15e1544cf856e276d6fb4d8c47125ce2883dff31e8717dbd11ce201a22d640a0/02.jpg" data-mid="239089489" border="0"  src="https://freight.cargo.site/w/1000/i/15e1544cf856e276d6fb4d8c47125ce2883dff31e8717dbd11ce201a22d640a0/02.jpg" /&#62;



	Teaser Video &#38;gt;&#38;gt;
	





&#60;img width="500" height="222" width_o="500" height_o="222" data-src="https://freight.cargo.site/t/original/i/ccfcbd55ce88cfcc3de750926dd74ae97d625d7c9ac3907d0b0f7a22b355dd3e/Possibilities_Main_05.gif" data-mid="239089473" border="0"  src="https://freight.cargo.site/w/500/i/ccfcbd55ce88cfcc3de750926dd74ae97d625d7c9ac3907d0b0f7a22b355dd3e/Possibilities_Main_05.gif" /&#62;
&#60;img width="500" height="222" width_o="500" height_o="222" data-src="https://freight.cargo.site/t/original/i/fcac7a44c0e28493af73baa70771b10c38bb66ad133456fb6a7ee3b863d43e5f/Possibilities_Main_6.gif" data-mid="239089474" border="0"  src="https://freight.cargo.site/w/500/i/fcac7a44c0e28493af73baa70771b10c38bb66ad133456fb6a7ee3b863d43e5f/Possibilities_Main_6.gif" /&#62;
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&#60;img width="500" height="222" width_o="500" height_o="222" data-src="https://freight.cargo.site/t/original/i/033be5646820cb2d0ab9e1921f08e1a6f41cab6d59b58ce674dca206d68a45b5/Possibilities_Main_08.gif" data-mid="239089476" border="0"  src="https://freight.cargo.site/w/500/i/033be5646820cb2d0ab9e1921f08e1a6f41cab6d59b58ce674dca206d68a45b5/Possibilities_Main_08.gif" /&#62;


	Aristic Summary &#38;gt;&#38;gt;
	

Everything consists of three parts — What Is?, What If?, and What Else?My contribution was to the second section:


WHAT IF?“Can you sense the frequencies that connect everything? Can my limited perception represent the reality? What if the world changes when I change the ways I see the world? What if I want to break this fabricated reality? What if I don't limit my understanding within binaries. Evolution will continue, perhaps regardless of humans. The question is: How do I contribute to the evolutionary process? How can free will be possible?”


This section begins with the concept of quantum mechanics and the duality of particle states. I approached it by visually interpreting the energy fields of subatomic particles, depicting both their wave and particle forms to explore how perception defines the existence of matter itself. 

The sequence culminates in the DNA formation, where these particles converge into structured order — expressing the transformation from pure energy to organized life. Through this progression, I aimed to visualize the shift from abstraction to creation, mirroring the continuous evolution that defines existence itself.

The visuals then evolve into a representation of infinite possibilities — points expanding outward from a single origin, symbolizing alternate states and potential realities that emerge from one shared beginning.










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&#60;img width="3840" height="445" width_o="3840" height_o="445" data-src="https://freight.cargo.site/t/original/i/12ddcf837ee3ab2b58647bf5cd63148e5fe37d0cf89252c39f8a5ceeaf8d7cbb/tmp_Everything_final_2023-09-05_15.03.46.jpg" data-mid="239324487" border="0"  src="https://freight.cargo.site/w/1000/i/12ddcf837ee3ab2b58647bf5cd63148e5fe37d0cf89252c39f8a5ceeaf8d7cbb/tmp_Everything_final_2023-09-05_15.03.46.jpg" /&#62;
&#60;img width="3840" height="445" width_o="3840" height_o="445" data-src="https://freight.cargo.site/t/original/i/0d7927f619e156c6fef81d1d75b40198fb5ba2eeadec534c32d06f3976c715d3/tmp_Possibilities_Main_05_2023-09-05_12.25.09.jpg" data-mid="239324488" border="0"  src="https://freight.cargo.site/w/1000/i/0d7927f619e156c6fef81d1d75b40198fb5ba2eeadec534c32d06f3976c715d3/tmp_Possibilities_Main_05_2023-09-05_12.25.09.jpg" /&#62;
&#60;img width="3840" height="445" width_o="3840" height_o="445" data-src="https://freight.cargo.site/t/original/i/4f51462cb781af0c478229d94268c0aae3d9dd039d2580e731407bbf314bcd79/tmp_Possibilities_Main_05_2023-09-05_12.27.41.jpg" data-mid="239324491" border="0"  src="https://freight.cargo.site/w/1000/i/4f51462cb781af0c478229d94268c0aae3d9dd039d2580e731407bbf314bcd79/tmp_Possibilities_Main_05_2023-09-05_12.27.41.jpg" /&#62;




	Technical Content Direction Summary &#38;gt;&#38;gt;
	I

made the technical content direction for&#38;nbsp;Everything which was comissioned to be presented simultaneously across three venues — the main hall for the 2 minute teaser and studio of Atelier des Lumières in Paris, and the Atelier space at Bassins des Lumières in Bordeaux. Each location had completely different projection geometries, scales, and resolutions, from the expansive multi-surface architecture of Paris’ main hall to the more compact box-shaped studios used for contemporary works. This diversity required an adaptable system that could maintain creative consistency while handling unique technical conditions in each space.


To solve this, I designed a unified content system that linked the creative tools directly to the projection environments. We built a real-time simulation pipeline inside After Effects that allowed motion designers and directors to preview the work across all three venues simultaneously, using the exact geometry, warping, and blending data from each site. This meant that every layer of animation could be viewed as it would appear in real life — mapped precisely onto walls, floors, and architectural details. Directors could explore the full immersive environment during production, make immediate creative decisions, and communicate changes clearly to the design team without waiting for rendered previews.









	Time-lapse Video of Template Tutorial &#38;gt;&#38;gt;
	




	Simulation vs Photography Samples &#38;gt;&#38;gt;
	



The same system also generated simulation files for client presentations, allowing us to deliver accurate previews of the final immersive experience long before the installation phase. These simulation outputs matched the projection environment with remarkable precision — when the content was finally installed on-site, it looked exactly as it did in our virtual previews. This eliminated guesswork, minimized adjustments during setup, and made the delivery process exceptionally efficient.


By creating this adaptive and simulation-driven workflow, we transformed a technically demanding, multi-venue production into a smooth, scalable process. The directors gained full visual control throughout development, the designers worked faster with immediate spatial feedback, and the clients could experience the project’s impact well before installation. The system not only ensured visual accuracy and efficiency but also made the work easily adaptable for future immersive environments around the world.



Here are examples of the real photos taken from the performances versus the simulation samples from After Effects we did during the production process before any rehersals.





	Simulations From Preview Template &#38;gt;&#38;gt;&#38;gt;
	Photography from the Exhibition Area &#38;gt;&#38;gt;&#38;gt;





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</description>
		
	</item>
		
		
	<item>
		<title>Cartier Al-Wasl 2020 Expo</title>
				
		<link>https://fehmican.com/Cartier-Al-Wasl-2020-Expo</link>

		<pubDate>Fri, 26 Sep 2025 15:46:46 +0000</pubDate>

		<dc:creator>fehmican.com</dc:creator>

		<guid isPermaLink="true">https://fehmican.com/Cartier-Al-Wasl-2020-Expo</guid>

		<description>

	
Cartier Women’s Pavillion Expo 2020 Dubai
2021, Dubai - UAE
	



As Animation Supervisor and Technical Content Director with the talented team at MagicBird Studio, Paris, I contributed to the conception and execution of two landmark projection-mapping projects commissioned by Auditoire UAE and Luxury Makers Arabia. These projects marked the opening of the Women’s Pavilion and the International Women’s Day celebrations hosted by Cartier at Expo 2020 Dubai, beneath the iconic Al Wasl Dome — the architectural centerpiece of the Expo and the world’s largest 360° projection surface. Spanning 130 meters in diameter and rising 67.5 meters in height, the dome’s steel trellis and translucent PTFE-coated membrane provided an extraordinary yet technically demanding canvas, requiring the creation of visuals at extreme resolutions and with flawless continuity across a hemispherical 360° field. Over a five-month production process, I led a team of motion designers, designing tailored preview and simulation workflows to ensure accuracy, while coordinating multiple rehearsals at the challenging venue to refine timing, integration, and performance synchronization. Within this monumental space, our visuals became the backdrop to an inspiring program that featured a piano recital by Khatia Buniatishvili, a ballet performance by Diana Vishneva and Denis Savin in perfect harmony with the projections, the evocative spoken-word artistry of Emi Mahmoud, a motivational address from Christine Lagarde on women’s leadership, and a poetic performance by Cartier ambassador Rami Malek. Together, these elements created a celebration of women as global change-makers, embodying the belief that when women thrive, humanity thrives — and I had the privilege of directing the technical and creative content that unified this spectacular event on one of the most ambitious projection stages in the world.





Role: Animation Supervisor, Motion Designer, Technical Content Director
Client: 

Auditoire UAE and Luxury Makers Arabia

 










Design Studio: MagicBird Studio
Producer: Julien Leur, Etienne Gerbal&#38;nbsp;
Motion Design: Fehmican Gözüm, Anthony DeJeune, Nicolas Pomet, Mathieu Rouquie, MagicBird Studio
Sound Design: 

The Untold / Secession Studios



&#38;nbsp;
Project Cordinator:&#38;nbsp;

Production manager: Julie Vifquain

Project manager: Laure Paris

Creative director: Jean-Baptiste Cabrera Casasoprana







Technical Director: Stéphane Simmat



Photo credits of the show : © Saï / Stéphane Aït Ouarab
Music : © The Untold / Secession StudiosVenue: Al-Wasl Dome  Dubai Expo 2020



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	Documentation Video &#38;gt;&#38;gt;
	







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Technical Breakdown &#38;gt;&#38;gt;


	



The Al Wasl Dome at Expo 2020 Dubai is one of the most ambitious projection surfaces ever created — a 130-meter-wide, 67.5-meter-tall architectural centerpiece that doubles as a translucent 360° canvas. Its intricate steel trellis supports a fiberglass membrane that covers more than 25,000 m², visible both from the interior and the exterior, making it the largest immersive projection dome in the world. To illuminate this monumental surface, 252&#38;nbsp; pure laser projectors were installed in 42 climate-controlled pods around the perimeter, each pod housing six projectors with automated alignment and servicing systems. The playback infrastructure included 16 media servers, orchestrating content across the dome as if it were a seamless hemispherical screen equivalent to a staggering 27,000 × 6,000-pixel canvas. The result is an immersive, shared visual environment where advanced technology and architecture merge into a singular cultural stage.


Designing content for this canvas presented extraordinary technical challenges. A surface of that size and resolution cannot be approached with conventional pipelines, so I developed a suite of preview, simulation, and export templates that became the backbone of the production. To manage the massive resolution, the dome was divided into 11 mapped segments, with each scene requiring delivery of 44 files along with proxy versions for faster iteration.
The true challenge, however, was enabling a team of motion designers to think and create natively for a 360° spherical environment. To solve this, I built a real-time After Effects preview system that mapped their work directly onto a 3D model of the dome as they animated, letting them see how their content wrapped around the structure in real time. This same template also allowed us to generate accurate simulation files for client presentations during the five-month production process, ensuring alignment between creative intent and technical execution.


Beyond the workflows, I supervised the team through multiple rehearsals at the challenging venue, refining timing and synchronization between visuals and performances, and ensuring flawless integration on site. This combination of custom tool design, pipeline management, and live adaptation was essential to delivering cohesive, high-resolution visuals on a projection surface of unprecedented scale and complexity.













Simulation Preview Samples &#38;gt;&#38;gt;


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&#60;img width="960" height="540" width_o="960" height_o="540" data-src="https://freight.cargo.site/t/original/i/2211cc0fe420f178c02fe2506d11590f0d606fc1d0e9f40d416e9a0dfb2b51ff/Al-Wasl_Sim_Img-6.jpg" data-mid="238943453" border="0"  src="https://freight.cargo.site/w/960/i/2211cc0fe420f178c02fe2506d11590f0d606fc1d0e9f40d416e9a0dfb2b51ff/Al-Wasl_Sim_Img-6.jpg" /&#62;
&#60;img width="4200" height="2500" width_o="4200" height_o="2500" data-src="https://freight.cargo.site/t/original/i/3785a9262525ce118cc1a2bd68da78a02100e2b8802f0d854299ea0f1d66cb95/Time_Lapse_Edit_00_MAGICBIRD_ALWASL_Scene_06_Va_2025-10-02_14.58.17.jpg" data-mid="238945787" border="0"  src="https://freight.cargo.site/w/1000/i/3785a9262525ce118cc1a2bd68da78a02100e2b8802f0d854299ea0f1d66cb95/Time_Lapse_Edit_00_MAGICBIRD_ALWASL_Scene_06_Va_2025-10-02_14.58.17.jpg" /&#62;
&#60;img width="4200" height="2500" width_o="4200" height_o="2500" data-src="https://freight.cargo.site/t/original/i/dc88ccc606cc24b6f1a5c3c229a27c10e194fef153fb62cc31a9f1c54e01d7d3/Time_Lapse_Edit_00_MAGICBIRD_ALWASL_Scene_06_Va_2025-10-02_14.58.14.jpg" data-mid="238945786" border="0"  src="https://freight.cargo.site/w/1000/i/dc88ccc606cc24b6f1a5c3c229a27c10e194fef153fb62cc31a9f1c54e01d7d3/Time_Lapse_Edit_00_MAGICBIRD_ALWASL_Scene_06_Va_2025-10-02_14.58.14.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/f9362a481f60791a9634f21d964425ed6e29796f5bfa0b56968bf190697734da/Al-Wasl_Sim_Img-2.jpg" data-mid="238943449" border="0"  src="https://freight.cargo.site/w/1000/i/f9362a481f60791a9634f21d964425ed6e29796f5bfa0b56968bf190697734da/Al-Wasl_Sim_Img-2.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/dbd78eaff7cf35a7f8584f50e4e2ad36667460952fabb86f72705c48f1c4e643/Al-Wasl_Sim_Img-4.jpg" data-mid="238943451" border="0"  src="https://freight.cargo.site/w/1000/i/dbd78eaff7cf35a7f8584f50e4e2ad36667460952fabb86f72705c48f1c4e643/Al-Wasl_Sim_Img-4.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/f7afcc53867f212cfe017e154ca98c4997e4e90166aba95236e58d61aec10376/00_MAGICBIRD_ALWASL_Scene_06_Values_23_00_OUTPUT_PREVIEW_ELEMENT_4K_2021-10-01_12.12.48.jpg" data-mid="238945713" border="0"  src="https://freight.cargo.site/w/1000/i/f7afcc53867f212cfe017e154ca98c4997e4e90166aba95236e58d61aec10376/00_MAGICBIRD_ALWASL_Scene_06_Values_23_00_OUTPUT_PREVIEW_ELEMENT_4K_2021-10-01_12.12.48.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/d6eed0ee07dd8f8e316a5867c13e534f6925e1260d039fba5466f571453b7b0c/00_MAGICBIRD_ALWASL_Scene_06_Values_19_00_OUTPUT_PREVIEW_ELEMENT_4K_2021-09-27_17.17.46.jpg" data-mid="238945708" border="0"  src="https://freight.cargo.site/w/1000/i/d6eed0ee07dd8f8e316a5867c13e534f6925e1260d039fba5466f571453b7b0c/00_MAGICBIRD_ALWASL_Scene_06_Values_19_00_OUTPUT_PREVIEW_ELEMENT_4K_2021-09-27_17.17.46.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/fd266c7ae938b65feabc4d702cb3459019ef61c628f3a54105f7ac7fa3e9ba2e/Al-Wasl_Sim_Img-3.jpg" data-mid="238943450" border="0"  src="https://freight.cargo.site/w/1000/i/fd266c7ae938b65feabc4d702cb3459019ef61c628f3a54105f7ac7fa3e9ba2e/Al-Wasl_Sim_Img-3.jpg" /&#62;


Preview Samples &#38;gt;&#38;gt;


&#60;img width="720" height="404" width_o="720" height_o="404" data-src="https://freight.cargo.site/t/original/i/7aaf1aec9f1a5da95fb4b3884cd45b5ef8d5e3659208a52382332992e0d8ba8e/210910_WOMEN-PAVILLON-OPENING_MIX_WhatsApp_3.gif" data-mid="238790145" border="0"  src="https://freight.cargo.site/w/720/i/7aaf1aec9f1a5da95fb4b3884cd45b5ef8d5e3659208a52382332992e0d8ba8e/210910_WOMEN-PAVILLON-OPENING_MIX_WhatsApp_3.gif" /&#62;
&#60;img width="720" height="404" width_o="720" height_o="404" data-src="https://freight.cargo.site/t/original/i/4be6f54c5ad24dc9d25b427d1db02f38a28179447a2162f581c789de51185e2f/210910_WOMEN-PAVILLON-OPENING_MIX_WhatsApp_1.gif" data-mid="238790146" border="0"  src="https://freight.cargo.site/w/720/i/4be6f54c5ad24dc9d25b427d1db02f38a28179447a2162f581c789de51185e2f/210910_WOMEN-PAVILLON-OPENING_MIX_WhatsApp_1.gif" /&#62;
&#60;img width="720" height="404" width_o="720" height_o="404" data-src="https://freight.cargo.site/t/original/i/cec8eeada4fb30da9f93d0e34185095d6eae4109abd12379957f0d32fdee9715/210910_WOMEN-PAVILLON-OPENING_MIX_WhatsApp.gif" data-mid="238789757" border="0"  src="https://freight.cargo.site/w/720/i/cec8eeada4fb30da9f93d0e34185095d6eae4109abd12379957f0d32fdee9715/210910_WOMEN-PAVILLON-OPENING_MIX_WhatsApp.gif" /&#62;
&#60;img width="720" height="404" width_o="720" height_o="404" data-src="https://freight.cargo.site/t/original/i/cec0b0de767a6aea807f0c263521ebbb009ae4ab7fd5486474c50b707df55ad2/210910_WOMEN-PAVILLON-OPENING_MIX_WhatsApp_4.gif" data-mid="238845116" border="0"  src="https://freight.cargo.site/w/720/i/cec0b0de767a6aea807f0c263521ebbb009ae4ab7fd5486474c50b707df55ad2/210910_WOMEN-PAVILLON-OPENING_MIX_WhatsApp_4.gif" /&#62;
&#60;img width="720" height="404" width_o="720" height_o="404" data-src="https://freight.cargo.site/t/original/i/8a65a7df31b1f64998714fe22d01db274edc853888baf53b4eafb80283ad20eb/210910_WOMEN-PAVILLON-OPENING_MIX_WhatsApp_2.gif" data-mid="238790144" border="0"  src="https://freight.cargo.site/w/720/i/8a65a7df31b1f64998714fe22d01db274edc853888baf53b4eafb80283ad20eb/210910_WOMEN-PAVILLON-OPENING_MIX_WhatsApp_2.gif" /&#62;





	Complete Toolkit TemplateTutorail Time Lapse&#38;gt;&#38;gt;


	







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